Monthly Archives: December 2014

Batac a genius… no loser!

empa3

Judeleah Pucan, best female performer

empa9

pictures from the Tan-ok ni Ilocano Festival of Festivals Facebook Page/ Alaric Yanos, PGIN

empa1empa6empa5empa4empa2empa7 empa8

(This is the second of a series of articles comprising my critique on the Tan-ok ni Ilocano Festival of Festivals 2014 held Nov. 29 at the Marcos Stadium in Laoag City. Read also the article Why I am proud of Laoag this time.)

Not a few people are concerned about Batac’s apparent downfall in their Tan-ok performances as shown by their skidding rankings. They were champion in the Festival of Festivals’ debut in 2011, 2nd place in 2012, 3rd place in 2013, and fourth this year.

It’s easy to believe in these numbers and hastily conclude that Batac is losing its artistic prowess, but I strongly contest this. They, in fact, won not just trophies, but even more for themselves and Ilocos Norte for doing what they do best.

The best thing about Batac folks is their healthy dose of insanity which I think is good because human civilization advances not because of those who blindly conform but on account of men and women who bravely challenge the status quo, and dare to be different. After all, this Home of Great Leaders is not known for people who remain comfortable with the world as usual.

Last Saturday, they landed only fourth, but did you, dear karikna, realize that Batac made history that night by staging the grandest musicale Ilocos Norte has ever seen?

On the Tan-ok stage where many of the contingents are still infected by the Visayan fever (ala Sinulog and Dinagyang), Batac dared enough to present something fresh, and excel in it. Let me discuss in detail my observations not only from the show but during some of their practices which I had the chance to watch.

Delicious story

The empanada was shown in response to the shifting tastes of the Spanish-era Ilustrados. Immersed in the lifestyle of their colonial masters, the tastes and preferences of these educated elite were strongly influenced by the West, but time came when their palates looked for something novel. They wanted a fusion between the Western way of cooking and rich native flavors. Thus, the Batac Empanada which is one reason why Ilocos Norte today is known as a gastronomic mecca. This was shown in the well-executed Kitchen Musicale where, in a party hosted by a Señora, Ilustrados refused to eat the usual fare (e.g.hamon, paella, lechon, embutido), moving the servant Indios to serve the Batac Empanada. Continue reading

6 Comments

Filed under Festivals, Ilocos

Why this time I am proud of Laoag

5

All pictures, except the two below, are from the Tan-ok ni Ilocano Festival of Festivals Facebook Page/ Alaric Yanos, PGIN

2tan-ok1346 (1)

(This is the second of a series of articles comprising my critique on the Tan-ok ni Ilocano Festival of Festivals 2014 held Nov. 29 at the Marcos Stadium in Laoag City. Read also the article Batac a genius… no loser!)

It was the fourth edition of the Tan-ok ni Ilocano Festival of Festivals, now considered as the biggest gathering of Ilocanos, having drawn almost 50,000 in the Marcos Stadium last Nov. 29 at the Marcos Stadium. Celebrating greatness in most creative forms, the show featured once more performances from each of the 21 municipalities and 2 cities of Ilocos Norte.

Tan-ok, arguably the most anticipated event organized by the province, has steadily led to a state of maturity, taking small steps since its debut in 2011.  Without blinking an eye, I’d say that last installment was the best ever. There were a lot of breakthroughs—not just steps but strides towards even greater planes for this phenomenon. Let me, dear karikna, detail my observations through this series of critical notes.

Truthful, clear stories

“Your stories are your wealth,” the judges posited during the debriefing meeting held the day after the competition. They expressed amazement over the clarity and richness of the narratives they saw unfold in most performances. Unlike the street-dance based festivals in the Visayas like the Sinulog and Dinagyang, the strength of Ilocano presentations indeed lies on our people’s tales.

Personally, I am glad that the stories presented this year were not only entertaining, but more truthful. Indeed, as confessed by Edna Vida Froilan, one of the country’s dance icons, who sit as one of seven Tan-ok judges coming from diverse backgrounds, judges are like “babies” who don’t know or know very little about the culture of the locality. They thus evaluate performances based only on what they see. The burden of determining authenticity, therefore, are not on their shoulders.

It was wise of the festival organizers headed by creative director Aian Raquel to hold a story conference prior to the big event. I am happy (and humbled) to have been invited to share my thoughts to choreographers and key people involved in drafting the storylines of every contingent. I would usually just write critiques after the show, just like this one. Interacting with our local artists early on was a welcome experience because it allowed me to talk more on the future, and ramble less about the past. During the conference, I already had a feeling that this year’s Tan-ok will be very different. That feeling was right, and it was very evident in the case of Laoag. Continue reading

2 Comments

Filed under Uncategorized